Category > Artists, Writers, Musicians, etc.

Old Red Tree House by E. Vance

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The light autumn wind blows in soft wisps, stirring the oak leaves collected at my feet. I glance around quickly, hearing a rustle—a crunch—of dead foliage. It’s a squirrel, scavenging for the acorns litter around the ground at my feet. I sigh; my breath is released in a puff of fog. It isn’t him. He isn’t here…and he said he would be.

I look around and see no one. Feeling like an idiot, I call out to him—to my nonexistent, lying guy who promised me he’d be here. “Chase, you there?” I call.

All I hear is the lonely echo of my voice, shouted back at me from the hills around me. Lowering myself to the ground, I hug my knees to my chest, taking deep breaths. It’s not like I should care…it’s not like he means anything to me. .it’s not like I thought he’d come…even to me my arguments sound like lies.

Glancing around, my eyes land on the old rope swing—tattered and frayed by time. I look at the little red tree house—clumsily put together by five year old hands but home to so many secret confidences, games and laughs—time we spent together. This was our secret spot. This was where he’d always be waiting if he knew I needed him.

This was where I learned to love him. His laugh, the twinkle in his brown eyes, the mess of auburn hair, the warm, strong voice, the playful grin, the tough exterior, the sweet heart inside—everything that made me fall in love with him—it’s like he’s standing right in front of me.

Thinking of him, I fiddle with the red-gold curls I’ve always hated—the curls that he’s always tugged and teased me with…then, suddenly, I feel it. A little tug. I whirl around and he’s there, grinning at me. “Sorry I’m late.”

I jump up to hug and he steps back. I look at him, hurt. He smiles secretively. “Just a sec, hold it girl. I’ve got something to show you.” Then he grabs my hand and pulls me into the old red tree house—home of so many dreams.

As I climb the squeaky moss-covered ladder, I gasp. I’m surrounded by glowing jack-o-lanterns carved into all sorts of faces. The room is luminous and our names—carved onto the walls in childish script—reflect shadows onto the floor. It’s beautiful. I stare at him through the flickering candlelight. “Chase, why?”

He smiles and leads me to the back corner. There’s a single jack-o-lantern carved with shimmering letters. “I love you. I’ve loved you forever. Be my girlfriend?” I’m speechless. My head reels with this new development. I can’t believe it. He’s never liked me, has he? I can feel the seconds tick by as he waits—nervously, fidgeting—for my answer.

Finally, I breathe “yes” and a grin flashes across his face. “Knew you’d give into my charm someday…” I laugh at him and he spontaneously hugs me. When we break apart, he’s smiling so much his eyes crinkle. I tell him so and he just laughs more. As I laugh with him—at him…at the whole inexplicably funny situation—he takes my hand and I can’t stop smiling. “So…cider at my house?” he asks me. I nod and take his strong hand as he leads me back to his house—his family. I leave our little red tree house as something I’ve dreamed of being since I was eleven. His girlfriend.

Fin

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To a Dying Artist (A La Fin), by Joanne Ho

A little birdie, in her flight to the north,

slipped beneath my door and left a fair warning:

“The fire is soon to die; he lost his light in the storm.”

She shook the black ash from her wings and took off into the wind.

Powerless now, I can only give you my words…

 

Listen to me, my singing flame—

did you know that you were my disaster?
For your passion puts to shame anything I can ever paint.

A god? No…

The gods know not the sting of their own arrogance;

Your modesty binds you to this earth…

 

But an artist… yes, an artist, you are

an almighty roman fortress, a blossom in a cherry tree,

that cloudy shape in the dull summer sky that spoke to me,

and you were my singing flame whose kind verses kindled a blaze.

 

Do you remember me? I was your shadow as you crawled through the desert…

I could see your black velvet halo—

those ancient vultures circling above your head.

(I heard them, love… I heard them—

and they’ll talk shit,

and they’ll talk with a temper,

they’ll eat you, dead or alive,

if you let them bother.)

 

But oh, my dying artist,

when their dreadful screeches are all you hear: I’ll be your mockingbird.

 

(Because a shadow needs her casting flame

and even gods, in time, yearn for an oasis’s cool embrace.)

 

Beautiful, I love what you do—

so do what you do,

and let no one stop you.

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Theory by Joanne Ho

title: “after countless nights alone with a telescope, i found a theory that may explain our falling out.”

the hypothesis:

we were not always like this, all swords and nothing.

map out our life on a timeline, and you would see something like tides.

i would never call it shallow, but certain

barriers

make a difference when discussing depths and distance.

materials and procedures:

“i’ve never had a boyfriend because the boys i loved only played with girls who live on mountain tops.”

“i love her and she loves me, but the key word here is ‘best friend’ and i’m not sure if we should keep weaving.”

step one, and the only:

mix.

the experiment:

pay attention now, you don’t want to miss this;

i dissected our conversations down to the blueprints.

the words we thought sounded like “i love you”

were the echoes of our lonely lives, stretched to compensate unrequited affection.

when we set our relationship out to sea,

we forgot a mathematician.

experimental error:
here is where chemistry lessons would have mattered more than calculations:

a few weeks on the ocean, we sailed without a clue of navigation.

we were no sailors, but the waves felt like a flower bed, but

s e p e r a t e

the molecules; dissolve and extract evidence . . .

. . . . . the conclusion:

salt water and sand

share atomic structures.

fear and love was only in our minds;

we let it shape ambiguity into fantasies.

scientifically speaking,
you and i
never left the shore.

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Hush, Hush by Joanne Ho

it’s you! the dirty culprit,

the fire licking my bones,

the sunny eyes splashing smiles across

a tired soul.

you tied

a balloon around my heart, fashioned a bow, and exclaimed,

“ta-da! I AM here! and happiness! is YOURS!”

you grinned.

and i tripped over a hill of joy, headfirst into your happy valley,

where i came to find,

you already lived happily

with your wife.

i made haste;

i wound my arms like ribbons (,like shackles,) around your waist

and i tied a lie around my eyes: a blind, stupid knot

(around stolen property).

winding, winding, charmeuse highways around your body.

winding, winding,

i liked my work of art.

winding, winding,

until

i

made

a

leash.

hush hush.

your

sunshine

splashed no more.

hush… hush.

i crawled

back to my winter.

sweet,

come back to my forest, please

, and scorch my trees again.

i want your ember in my bones; again,

and, hear,

my heartbeat resound with

apology;

(hush, hush.)

i promise

to leave my ribbons in the fireplace

if you keep

weaving your sunsets

around my heart.

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Mary Yap

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Andy Wong

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Joanne Ho

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